At the end of the scene the pace increases and the camera gets shaky, moving with James Hunt as he fights a reporter.Ĭolors and lighting are in play as well. Which increasing the impact of Niki’s return to racing. Pacing in this scene is slow, and deliberate. Emotions are captured up close with the character taking up nearly the entire screen and help us connect on a personal level. Tight shots surrounding Lauda and focusing on his name card help tell us this is a live broadcast and the conference is all about Niki. Characters who do not show much emotion (such as the reporters) are framed loosely. Panning the room tells us the press conference is very large. Opening with a wide angle, out of focus shot relates to Niki’s current mental and physical state. The scene below shows an interview with Niki Lauda about his return to racing after a large accident The photo bellow is clearly highlighting the bright red car closest to us, despite the dark, rainy day. Any scene where the camera is far away from the subject tends to have the subject brighter than its surroundings. Their hardships result in a pair of characters you both want to succeed.Īnalyzing Rush reveals patterns in Ron Howard’s directorial approach. However, both men face difficulties in their own right while fighting to become the world champion. Lauda is methodical and focused in contrast to Hunt who is a brash playboy. The movie Rush brings viewers the tension and excitement of Niki Lauda and James Hunt’s Formula 1 rivalry while maintaining factual accuracy.
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